Thursday, November 10, 2011

Who am I as a Performer right now?








Figure 1: Contemporary Dance








Coming into this course, I am the type of performer that enjoys expressing

themselves through movement. As a dancer it comes naturally and easier than anything

else. Dancing is a way to speak without using words. The words themselves come from

the movements being executed along with the emotion one puts with them.


Dancing is very similar to acting in the sense that they both tell stories and have

the ability to be very moving. This performance technique takes a number of skills

similar to acting and several skills that are unfamiliar to the typical actor. Dancers have to

be flexible, physically fit, have phenomenal balance control etc. as well as have the

ability to convey emotion similar to an actor. Different shapes can express different

emotions. For example, if a dancer were to use ground movements, one may get the

impression that the person in the story is sad, conflicted, restricted, week, helpless etc.


One of the key elements that make a dancer’s movements make sense is the music

that accompanies the routine itself. If the routine is choreographed to a happy song,

including floor work, the dancer obviously wouldn’t be week/helpless. The routine is

choreographed to the music, not the other way around.


            As a person involved with the arts, I am very emotional and expressive with what

I do, specifically in dance. I often express my emotions through dance and take all of

what I’m feeling at that moment, and apply it to a routine. I find that this makes my

emotions productive as apposed to crying or screaming at everyone. Dancing has been

able to draw me to tears at times simply because conveying an emotion that’s personal to

me as an individual, through a routine, can be very overwhelming.


During the summer I injured myself quite seriously and was unable to dance for

two months. This being the first time experiencing something like this, it was an

emotional roller coaster dealing with living without my escape. Even when I couldn’t

move I was still choreographing in my head and watching routines on youtube (and of

course crying all the time, knowing that for the time being I wouldn’t be able to do any of

it). It is unusual to live without something that you have learned to live with most of your

life, so much so that it has become second nature to you in the sense that you do it sub

consciously in a casual setting. In a way it’s like losing someone close to you, whether it

is a death that separates you or a break up with a long term boyfriend. It’s hard to cope

knowing that you have lost part of what made you, you (even if it is just temporary).

Thankfully, the injury was temporary and I am almost complete with the recovery

process. It is a relief to know that I am able to dance again without any restrictions.


Word Count: 519


Works Cited
Contemporary Dance. 12 Apr. 2011. Facebook. Lloyd Whitmore, 12 Apr. 2011. Web. 21 Aug. 2011. <http://www.facebook.com/‌photo.php?fbid=1966430442801&set=a.1063359546593.10422.1304113230&type=1&theater>.

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